Number times moved house
General Map of where Havergal Brian lived
This is still under construction
|
Dates |
Age |
Events |
|
29th January 1876 |
|
Born at 35 Ricardo Street, Dresden |
|
1879 |
3 |
Village School. |
|
1886 |
10 |
St James Parish School , Longton. |
|
1888 |
12 |
Left school. Starts work at a colliery weighing coal trucks. |
|
1889 |
13 |
Left colliery. Became apprentice joiner later as railway office boy. |
|
|
|
Deputy Organist at St James. |
|
1892 |
16 |
Organist Holy Trinity Church, Meir. Joined Men's choir. Played in various local orchestras as violinist. |
|
1895 |
19 |
HB's paternal grandfather Benjamin the tailor dies aged 86 |
|
1896 - 1902 |
20 - 26 |
Organist Odd Rode Parish Church. |
|
1899 |
23 |
Composed Pantalon and Columbine a short orchestral piece. Used movements 2 & 3 in First English Suite. |
|
3rd April 1899 |
23 |
Married Isabel (Belle) Alice Priestley. |
|
August 1899 |
23 |
HB's grandmother Mary Watson dies. |
|
22nd October 1899 |
23 |
First child born - Sterndale Harold Benedict Brian. Named after Sterndale Bennett |
|
1900 |
24 |
Joined James Alcock's orchestra played cello. |
|
15th March 1900 |
24 |
Death of HB's father - Benjamin Brian acute pleurisy aged 48. |
|
May 1901 |
25 |
Death of grandmother - Hannah Brian. Aged 90. |
|
17th June 1901 |
25 |
Birth of second child - Hector William Brian. Named after Hector Berlioz. |
|
18th April 1902 |
26 |
Death of second child - Hector William Brian - tubercular peritonitus. |
|
20th September 1902 |
26 |
Birth of third child - Margery Isabelle Brian. |
|
1903 |
27 |
Left job at timber yard. Became traveller for another timber merchant until 1910. |
|
19th December 1903 |
27 |
Birth of another son - George Halford Brian. Named after the Birmingham conductor who formed the Halford orchestra. |
|
1 January 1905 - February 1908 |
29 |
Became critic of Musical World until paper folded in February 1908. |
|
1905 |
29 |
Elgar invited HB to show him an orchestral work - Psalm 23. |
|
1st September 1905 |
29 |
Elgar invited HB to Three Choirs Festival. Made Freeman of the city of Worcester. |
|
October 1906 |
30 |
Met Granville Bantock shortly after hearing premiere of Omar Khayyam Part 1 at Birmingham Triennial Festival. |
|
24th March 1907 |
32 |
Birth of another son - Dennis Brian. Isabel's last child. |
|
1909 - 1913 |
34 - 37 |
Sponsored by Herbert Minton Robinson £500 a year. Secretary of the bone china firm Minton |
|
25th August 1914 |
38 |
Private Number 1546 No 1 Company of Honorable Artillery Company. Finsbury, East London. |
|
4th May 1915 |
39 |
Discharged from Army because of flat feet. |
|
25th May 1915-13th December 1915 |
39 |
Clerk at Audit Offices of Canadian Forces Contigent at Westminister House, Millbank, London. |
|
October 1916? |
40 |
Began work on The Tigers. |
|
1919 - 1927 |
43 - 51 |
The Gothic Symphony written. |
|
September –October 1920 |
44 |
HB worked as a clerk at the Inland Revenue |
|
October 1920 |
44 |
HB became music copyist for Godwin and Tabb |
|
2nd December 1923 |
47 |
Death of HB’s Sponsor Herbert Minton Robinson. |
|
1925 |
49 |
Taught at Royal College of Music. |
|
1927 -1939 |
51 - 63 |
Assistant to Editor Musical Opinion. |
|
3rd December 1928 |
52 |
Birth of daughter - Elfreda Brian. Hilda's child. |
|
June 1930 |
54 |
Symphony No 2 started |
|
6th April 1931 |
55 |
Symphony No 2 finished |
|
12th April 1931 |
55 |
Symphony No 3 started |
|
5th June 1932 |
55 |
Symphony No 3 finished |
|
1932 - 10th December 1933 |
55 |
Symphony No 4 |
|
15th April 1933 |
57 |
Death of Isabel - heart condition |
|
9th June 1933 |
57 |
Married Hilda Mary Hayward at Camberwell Register Office |
|
23rd February 1934 |
58 |
Death of Edward Elgar at his home in Worcester. |
|
June 1934 |
58 |
Disappearance of short score of first Violin Concerto on Brighton train at Victoria Station |
|
September 1934 |
58 |
Minor eye operation at Royal Eye Hospital, St George's Circus SE London. |
|
8th June 1935 |
59 |
Violin Concerto in C major based on missing first violin concerto. |
|
12th June 1937 |
61 |
Symphony No 5 |
|
10th November 1937 |
61 |
Began vocal score of Act I of Promethus Unbound |
|
22nd March 1939 |
63 |
Completed vocal score of Act I of Promethus Unbound |
|
31st March 1939 |
63 |
Began vocal score of Act II of Promethus Unbound |
|
1939-1948 |
63-72 |
Clerk at Chislehurst,Kent. |
|
24th June 1942 |
66 |
Completed vocal score of Act II of Promethus Unbound |
|
19th August 1944 |
68 |
Death of Sir Henry Wood. Aged 75. |
|
September 1944 |
66 |
Completed full score of Promethus Unbound |
|
16th October 1946 |
70 |
Death of Granville Bantock in Lambeth Hospital. Aged 78 |
|
December 1947 - 21 Febuary 1948 |
71 |
Symphony No 6 - Sinfonia Tragica |
|
1948 |
72 |
Symphony No 7 |
|
1948 |
72 |
The Tinker's Wedding |
|
17 May 1949 |
73 |
Symphony No 8 in Bb minor |
|
1950-1951 |
74 |
Turandot, Prinzessin von China |
|
June 1950 |
74 |
The Tinker's Wedding - broadcast - first premiere for 16 years. |
|
July - November 1951 |
75 |
Symphony No 9 |
|
1st September 1952 |
76 |
The Cenci - Overture |
|
29th September 1952 |
76 |
The Cenci - Scene I. |
|
11th October 1952 |
76 |
The Cenci - Scene II. |
|
4th December 1952 |
76 |
The Cenci - Scene IV. |
|
12th - 27th June 1953 |
77 |
English Suite No 5 |
|
1953 - 16th January 1954 |
77 |
Symphony No 10. |
|
29th April January 1954 |
78 |
Symphony No 11. |
|
April 1955 - 19 August 1955 |
79 |
Faust Vocal score |
|
1955 - 11th May 1956 |
79 |
Faust Full score finished |
|
4th February 1957 |
81 |
Symphony No 12 |
|
April 1957 |
81 |
Agamemnon music drama. Full score finished |
|
November - December 1959 |
83 |
Symphony No 13 |
|
10th February 1960 |
84 |
Symphony No 14 |
|
1960 |
84 |
Symphony No 15 |
|
1960 |
84 |
Symphony No 16 |
|
28th November 1960 |
84 |
Sketches for Symphony No 17 |
|
8th January 1961 |
85 |
Full score Symphony No 17 |
|
Feb - May 1961 |
85 |
Full score Symphony No 18 |
|
5th November 1961 |
85 |
Full score Symphony No 19 |
|
13th April 1962 |
86 |
Jolly Miller comedy overture no 3 |
|
31st May 1962 |
86 |
Symphony No 20 |
|
1963 |
87 |
Symphony No 21 |
|
13th April 1964 |
88 |
Cello Concerto |
|
June 1964 |
88 |
Concerto for Orchestra |
|
22nd December 1964 |
88 |
Symphony No 22 First Movement |
|
8th January 1965 |
89 |
Symphony No 22 Second Movement |
|
1965 |
89 |
Symphony No 23 |
|
1965 |
89 |
Symphony No 24 |
|
10th January 1966 |
90 |
Symphony No 25 |
|
1966 |
90 |
Symphony No 26 |
|
4th August 1966 |
90 |
HB attends concert of Symphony No 12 performed at Proms, Albert Hall conducted by Norman del Mar. (First work at Proms for 53 years). |
|
10th December 1966 |
90 |
Symphony No 27 |
|
April 1967 |
91 |
Symphony No 28 in C minor |
|
31 July 1967 |
91 |
Symphony No 29 in Eb major |
|
13th November 1967 |
91 |
Symphony No 30 in Bb minor |
|
1968 |
92 |
Symphony No 31 |
|
31 May 1968 |
92 |
Legend for Orchestra 'Avt Atque Vale' |
|
June - October 1968 |
92 |
Symphony No 32 in Ab major |
|
28th November 1972 |
96 |
Death of Havergal Brian at Shoreham-by-Sea, Sussex (England) |
Havergal Brian was born on 29 January 1876 into a working-class Potteries family in Dresden, Staffordshire. He gained his first musical experience in church choirs and after leaving school at the age of 12 he was in some demand as a church organist; he also played in local bands. He gained a thorough theoretical grounding from a local teacher, but was virtually self-taught in composition. Nevertheless, he seems to have dedicated himself very early to a composer's life and during the first decade of the 20th century began to make a name for himself.
His music was warmly admired by Elgar, works of his were played by such conductors as Henry Wood and Thomas Beecham, and for a number of years he and his family received the financial support of a wealthy Staffordshire businessman so that Brian would be free to compose. This life of material wealth and growing fame came abruptly to an end, however, just before the outbreak of World War One, when a complex of personal crises forced Brian to leave his home and family for London, where he failed to consolidate the reputation he had gained; for many years he - supported a growing second family with a series of menial jobs, often in some poverty. By the late 1920s Brian gained an assistant editorship on the magazine Musical Opimon and the worst days of hardship were over. During all these years he had continued to compose in his spare time, but the musical world had long since passed him by. Through his work for Musical Opinon he was better informed than many British composers about the latest Continental developments, but the musical estabishment both in England and abroad, apart from his close friend, Sir Granville Bantock, knew nothing of what he was doing. This, although Richard Strauss (to whom Brian's Gothic Symphony is dedicated) took him seriously, and although Sir Donald Tovey was moved to write of Brian in 1934 that 'even for the recognition of his smaller works he is being made to wait . . . far longer than is good for any country whose musical reputation is worth praying for'. With the death of Bantock in 1946, Brian lost his last advocate for performances of his music until the early 1950s, when his work came to the attention of a young BBC music producer named Robert Simpson. Starting with Brian's 8th Symphony in 1954, Simpson gradually brought about over the next 25 years increasing performances, mostly in radio broadcasts, which began to initiate a recognition of Brian's achievement. The composer moved from London to Shoreham-by-Sea, Sussex, in 1958, where he embarked upon a final, immensely rich, 10-year Indian Summuner of composition, which included no fewer than 20 symphonies. Even after he ceased the creation of original works in 1968 he retained full mental vigour until he died as the result of a fall on 28 November 1972, two months short of his 97th birthday.